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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Angus Trumble and Brownie

A bear of great substance

About Face article

Just in time for Christmas, Angus reflects on the most special present he has ever received.

Michael Wardell – Country of birth: Ireland 2014 by Jacques van der Merwe

Look who's coming to dinner

Magazine article by Michael Wardell, 2016

Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.

James Ford, 1979 by Robert Mapplethorpe

Apollo's breath

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Ellen Stirling

Very fine and very like

About Face article

When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

Waterfall in Australia, c. 1830 by Augustus Earle

Augustus serendipitous

Magazine article by Joanna Gilmour, 2016

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825. 

Chang the Chinese giant and party

The portrait writ large

Magazine article by Karen Vickery, 2015

Karen Vickery on Chang the Chinese giant in Australia.

At the Pantechnetheca, Exhibition, Eastern Arcade, Dominick Sonsee, the smallest man in the world

The Freak Show

General content

Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.       

The Bare story

General content

Curator, Penny Grist, reveals how this exhibition came to be

Trumble's way

About Face article

At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?

Jack Thompson
Jack Thompson
Jack Thompson

Jack Thompson, 2013

Dr Julie Dowling
Portrait, synthetic polymer paint and red ochre on canvas

Purchased 2015

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Self portrait, 1957 by Sunarto P. R.

Masters of Modern Indonesian Portraiture

13 September 2014
Archived media releases 2014

Press releases for media

Terrace Room 2

Terrace Room Two

Spaces

The eastern side of the Terrace Room is perfect for a breakfast or lunch, workshop or planning day.

Terrace Room One

Spaces

The western side of the Terrace Room is perfect for a breakfast or lunch, a workshop or planning day.

Terrace Room

Spaces

The Terrace Room opens onto a north facing, outdoor heated terrace with lovely views.

Ursula Hoff

Remembering Ursula

About Face article

I first knew Dr. Hoff when in 1986, long after retiring from the National Gallery of Victoria, she taught a graduate seminar on Rembrandt.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency